Cartier Tank Louis - 'Swiss' Dial Unpolished

The Cartier Tank was one of the first wristwatches. Full stop!

Inspired by the Renault Tanks used on the battlefield in WWI — yes, true story. Revolutionary at the time, Louis Cartier took inspiration from the profile of the treads on a period Renault tank, and based the case on them by way of the of brancards doubling as the lugs themselves. Over the course of the 20^th Century, the Tank became the watch to wear. Silent movie stars like Rudolph Valentino, artists like Andy Warhol, and even Jackie Kennedy were all fans of the signature timepiece from the King of Jewelers and the Jeweler of Kings. An icon indeed in the truest sense of the word.

The model was first introduced in a few different case shapes which bore different names that intertwine with the inspiration behind them. 

Perhaps the most significant, well-known, and debatably desirable of these first pieces, the Tank Louis Cartier, was introduced in 1922 and was named after Louis Cartier himself. When people think of a Cartier Tank, theres a good change that this is the model that comes to mind.

The piece that we have here is one of those pieces. Dating to the 1980s, this exmaple hails from a post-acquisition era of Cartier, where the Maison had changed hands and was shifting production facilities. It features the classically sized 23mm x 31mm rectangular case, which comes to us in unpolished condition with crisp engravings and showing normal wear for its age. Inside, the white 'Swiss' signed dial is very nicely preserved, with a virtually flawless surface and crisp black printing throughout. The usual and correct blued-steel 'sword' handset is also present, which is complimented by that ubiquitous blue sapphire cabochon crown at the 3 o'clock position.

Last but not least, this example is accompanied by a black lizard strap with a period-correct Cartier signed yellow gold buckle.

This piece is not only an excellent example fit for any collection, but a piece worthy of the iconic nomenclature that it bears.